Semaine de la Critique
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SPECIAL SCREENING - CLOSING
En Moi
Laetitia Casta
 
  • FILM
  • DIRECTOR
  • CONTACT
  • PORTRAIT

France
2016 – 26’ – IN FRENCH
WORLD PREMIERE

Synopsis
A movie director goes to the Paris Opera to shoot his new film. Lacking inspiration, he looks for ways out of his solitude and fear of failure.
With each step forward, his imagination reveals itself to him, and mysterious characters lead him towards his desire to create and love.


Trailer

 

DIRECTOR: Laetitia Casta
PRODUCTION: Laetitia Casta
SCENARIO: Laetitia Casta - Maud Ameline
CINEMATOGRAPHY: Benoît Delhomme
EDITING: Fabrice Rouaud
SOUND: Guillaume Le Braz- Nicolas Moreau- Jean-Pierre Laforce
PRODUCTION DESIGN: Pauline Reichenbach
MUSIC: Koudlam

CAST:
Yvan Attal
Lara Stone
Arthur Igual
Mathilde Bisson
Jérémie Bélingard
Akaji Maro

Biography
Laetitia Casta
French nationality
Born on May 11th, 1978 in Pont-Audemer (France)

Filmography
2016 EN MOI S

PRODUCTION
ALLAROSA PRODUCTION
Philippe Delafoulhouze
Tel. +33 (0)6 13 06 26 21
phil@philsoffice.fr

CO-PRODUCTION
FILMS GRAND HUIT
Lionel Massol
Pauline Seigland
Tel. +33 (0)6 29 46 45 31
lionel@filmsgrandhuit.com

PRESS
LE BUREAU DE FLORENCE
Florence Narozny
Tel. +33 (0)6 86 50 24 51
florence.narozny@wanadoo.fr

CONTACT CANNES
LE BUREAU DE FLORENCE
Florence Narozny
Tel. +33 (0)6 86 50 24 51
florence.narozny@wanadoo.fr

What does it mean for an actress to give herself? First of all to her character, then to the camera and the director who has a grip on her. Even more complicated when the director is infatuated with her. What does he see when his eyes die off and his desire vanishes, perceiving her as a stranger to his world, disconnecting intimacy from the professional? Surprising, ambitious, off the beaten track and carried by the wonderful Yvan Attal, En Moi is a dizzying plunge at the core of the intimate relation between a director and his actress, source of uneasiness and misunderstanding. What is to be seen and lived, from the skin cover to the nakedness of being, has nothing to do with what the other sees of you and in you.

By Charles Tesson

Semaine de la Critique - Syndicat Français de la Critique © 2017
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